Enjoyment of trash films linked to high intelligence, study finds




 ‘So bad its good’ is a type of enjoyment that seems specific to film and television. You probably wouldn’t wilfully listen to a terrible album, read a lousy book or go to see thematically redundant art, and yet many of us will sit down and watch the worst movie we can find with glee.
For the first time, academics have delved into this phenomenon, with the journal Poetics this week publishing a study entitled: ‘Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions’.
"At first glance it seems paradoxical that someone should deliberately watch badly made, embarrassing and sometimes even disturbing films, and take pleasure in them,” writes Keyvan Sarkhosh, postdoctoral fellow at the Max Planck Institute for Empirical Aesthetics.

Tommy Wiseau's 2003 trash classic, 'The Room' ( )
The team started by trying to ascertain exactly what makes a film ‘trash’, with the most common characteristic respondents cited being their “cheapness”. Low budget horror films were the most common example, probably because they’re so plentiful and so easily churned out.

Ironic viewing is obviously what is at play here, and the researchers found it is mostly film buffs who watch trash films, which would make sense, as very often their enjoyment comes down to analyses of production values, dialogue and plot structure.
 "To such viewers, trash films appear as an interesting and welcome deviation from the mainstream fare", says Sarkhosh. "We are dealing here with an audience with above-average education, which one could describe as 'cultural omnivores'. Such viewers are interested in a broad spectrum of art and media across the traditional boundaries of high and popular culture." He went on to explain that their engagement in film culture is demonstrated by their discussion of these films in blogs and forums.

"I told you so! People saying trash film is bad for you, but here's a study saying the opposite.
As a child I've always been called slow and not quite ok in my head. Now 35 years later I understand I never was retarded or stupid but highly intelligent and it was the environment surrounding me that brought me down. Today 45 years of age I understand my value and what I have achieved so far and where I'm heading. It's been a tough road and I keep on struggling. Here's an advice to all of you who want to make movies. Do it. Do it. Do it. Don't be afraid to fail and never give up".
Jonas Wolcher - Producer and Director

Comments

Popular Posts

My photo
Jonas Wolcher
Gothenburg, Vastra Gotalands Lan, Sweden
Jonas was born in Gothenburg at Östra Sjukhuset 15th of April 1973. He spent his childhood most of the time in Skåne until he went to school. Jonas began a career as a tourist guide, but then moved on to become a journalist. He started his first company (commercials) 1996 when he moved back to his hometown. There he tried many different works, salesman, sampler, telephone salesman, merchandiser. 1997 Jonas went to Gothenburg University to study Film Theory. After less than a year he couldn't go on any further. Jonas wanted to make film instead of becoming a film critic. Today 2016 He's now working with movies from all over the world. Jonas Wolcher has worked with special effects since 1998, for movies, music videos and lectures "impressive horror makeup easy and effective". Now Jonas Wolcher has been involved in several projects such as Sektor 236, Barracuda, WeekEND, Root of Darkness, Hermit, Monster Killer, Coctail Apocalypse, Precision, Stay among many.