Let’s bring back the magic of commenting and liking

We need to bring back the joy of reading comments and seeing engagement by liking a special topic, post, or whatever people appreciate reading. We humans needs to repost, share, and engage with things we like, otherwise, every post will look the same, with no nuance and absolutely no feelings. 

We can’t let AI decide what to write all the time. We need real people behind the keys. Our language and the art of writing are both extremely important for our survival.

Why have we stopped engaging?

The internet I grew up with was once a place of discovery, connection, and genuine interaction – people to people. My forums I was on were packed with comments, sections were buzzed with lively debates, likes and hand typed emojis signaled appreciation, and sharing felt personal.

Algorithms prioritize content that maximizes screen time

This is an epidemic for us who felt a meaningful interaction with each other. Today flooding platforms with low-effort posts and drowning out thoughtful discussion. * Toxicity has also played a role: TROLLING, HATE SPEECH, and BOT-DRVEN comments have made many users retreat from public engagement to avoid negativity or conflict. *

The result? A digital landscape silenced

Together we can beat this game by connecting to each other otherwise you will become the one who has reached the plains of silence. (Mad Max video game)

That happened the same moment when we stopped engaging, we lost more than just interaction. We lost the diversity of thought, the richness of language, and the emotional depth that only real humans can bring. When engagement declines, content becomes homogenized. Algorithms and AI-generated posts dominate, stripping away the nuance and humanity that once made online spaces vibrant. Without likes, comments, and shares, every post risks becoming a sterile echo, devoid of feeling or originality. The art of writing and discussion—essential to critical thinking, creativity, and cultural preservation—is at stake. *

This is hand written by someone who has been ditched by his girlfriend. It's probably it's friend who's responsible what happened but we will never find out. The language reveals how much this person loves it's partner. The grammar is incorrect but it has a depth. When you are in love, it's easy to feel too much at the time. That's why the bad language has been marked with hard pencil strokes multiple times. There are only four words left –No love, only sad.

Research shows that heavy social media use, especially among younger users, contributes to declines in well-being. The pressure to constantly engage, fear of missing out (FOMO), and the mental toll of online interactions have led many to step back from active participation. But when we disengage, we surrender the digital world to algorithms and machines, losing the human touch that makes it meaningful. * 

An example of how "DOOM SCROLLING" affects you. You are feeling empty and nothing matters anymore.

Let's bring back the magic

We have to redesign platforms to prioritize genuine interaction over algorithmic efficiency. This means slowing down the doom scrolling for a dopamine rush and instead highlighting thoughtful comments, and rewarding depth over virality. Moderation should foster respect without stifling debate, creating spaces where users feel safe to participate. *

We also need to engage and celebrate the comment section. Comments are not just replies—they are valuable for the forum that adds layers of meaning to discussions. Discussions are the same interaction with another humans. I am talking about humans because today you can't be sure if you are talking to a BOT or an actual person. My guess is everyone who are reading this would rather speak to a real person instead of an AI.

That's why platforms should treat them as such, allowing users to upvote replies and creating features that make discussion as rewarding as creation.

Most importantly, we must encourage sharing with purpose. Whether it’s a repost, a like, or a comment, every engagement shapes the digital landscape. Without it, the internet risks becoming a one-way broadcast, not a conversation run by the corporates who practically own "internet" today.

You have a mission

Each of us has now a part to play. By liking, commenting, and sharing what moves us, we signal to others that their voice matters. We have to support human creators, seeking out and let their work shine because it's made or written by real humans. The flaws, the quirks, the imperfections, and the passion of human expression are what AI cannot replicate. It strives for perfection and cannot see flaws.

We don't want the web to ending up looking like Gastown where greed is conquering. (Mad Max (video game)

Our children should be thought the value of thoughtful engagement. Internet should never be a spot just for consuming filled with paywalls and horrible surveillance features to track down every human being in the world. It should be a free area, a place where your creative flows, you connect to others, share and care for each other. By showing younger users how to engage meaningfully, we ensure that the magic of the web lives on. It can be a free roaming savanna once again. I'm sure of it.

The Internet should be a free area to explore with no boundaries. (Mad Max video game)

The decline of commenting and liking is not inevitable. It is a choice, one we can reverse by valuing human interaction over algorithmic efficiency. The magic of the internet lies in its ability to bring back people together, spark ideas, and reflect the full spectrum of human experience. 

Just remember: If you’re on a forum or social media and suddenly realize something feels off—like the tone turns toxic, the discussion spirals, or the content loses its humanity, it’s better to step away. As the old saying goes, ‘When the storm is coming, you’d better seek shelter.’ (Mad Max video game’s survival ethos.

Let’s not abandon that magic to silence or machines. 

The future of the web depends on it.

FINALLY, A QUESTION: Who will be the first one to comment this post?

There's a prize for all of you to win. 

Aliens – This Time It’s War: My All-Time Favorite

Aliens(1986)

40 years later and 50 times of viewing - This is my all time favourite. And in the next post I am going to tell you why.

Story: Decades after surviving the Nostromo incident, Ellen Ripley is sent out to re-establish contact with a terraforming colony but finds herself battling the Alien Queen and her offspring.

Hemsidor är trendiga igen! Om du vill du skapa en kan jag lära ut hur man gör!

Om du inte har kunskaperna och vill bygga en kan jag lära dig!

1998 började jag göra hemsidor för både mig själv och för olika företag, filmproduktioner mm. Det jag erbjuder nu är en kurs i Weebly, ett enkelt program för att skapa egna hemsidor i.

Kursen går att gå ONLINE (digitala möten) eller via personliga möten (för närvarande bara tillgängligt i norra Bohuslän, Tanums Kommun med omnejd).

I Weebly kan man göra det mesta man behöver för att en hemsida ska se proffsig ut. Det finns både gratis och betalfunktioner - gratisversionen är oslagbar i jämförelse med de andra gratisversioner av webprogram och har endast en liten banner längst ner på vänster sida.

Ring 0790 38 07 65 för mer info eller skicka ett mail.

ZOMBIENOID (2002) Jonas Wolcher's First Movie (Free to watch and download until June 1st 2026)

Exclusive Content on Patreon

For fans and newcomers alike, Ranrikestudios’ Patreon offers exclusive behind-the-scenes content, interviews, and some exclusive footage from Zombienoid. Join us as we celebrate this unique film and the creative journey behind it.

Jonas Wolcher’s Zombienoid (2002) is a cult classic that blends the raw energy of early 2000s indie filmmaking with the timeless appeal of the zombie horror genre. Directed and produced under the banner of Dino Publishing JW and Dokken Film. This film stands as a testament to the creativity and passion of its creators, offering a unique twist on the undead genre.

The Story

Zombienoid follows the Hogan, a gym teacher and who's totally addicted to a zombie game.

Through his imagination the zombies in the game come to life by poisonous milk and start to terrorizing the neighborhood. Only he can save the day.

 Go to page to read more how to watch or download Zombienoid –>

Sweden fights a dimensional war in Sektor 236 – Tors vrede

 

Sektor 236 – Tors vrede: An Underrated Gem in Swedish Film History

Sektor 236 – Tors vrede, originally titled "Area 236," is a Swedish horror and sci-fi film from 2010. Despite its modest budget of 300,000 SEK and limited resources, the film holds a unique place in Swedish film history.

The film is set in the Swedish wilderness, where a platoon of elite commandos disappears during a secret mission. A tactical unit is dispatched to investigate the disappearance, while a group of camping teenagers simultaneously gets lost in the same area and begins to vanish one by one, hunted by something sinister from another dimension.

The film was directed by Björne Hellquist and Robert Pukitis, with a script by Björne Hellquist. The producers were Björn Ericson, Björne Hellquist, Lars Lundgren, and Jonas Wolcher. The cast includes names like Fredrik Dolk, known from "Johan Falk" and "Wallander"; Tintin Anderzon, with roles in "Adam & Eva" and "Solsidan"; Jan Johansen, winner of Melodifestivalen 1995; and Lars Lundgren, a legend in the stunt world with experience from "Licence to Kill" and "Total Recall."

Sektor 236 is an example of how creativity and passion for genre films can overcome financial limitations. Most of the modest budget was allocated to camera equipment and operational costs for the Russian helicopters used to enhance production value. Each dialogue scene was filmed twice, once in Swedish and once in English, which was unusual for a Swedish low-budget production and reflects the film team's ambition to reach both national and international audiences.

The stunts were coordinated by Lars Lundgren, known from films like "Total Recall" and "Licence to Kill." He is a legend in the stunt world and the only Swede inducted into the "Hollywood Stuntmen's Hall of Fame." He ensured that the action scenes were both exciting and safe. Visual effects were created by a team consisting of Lars Eggers, Björn Ericson, Johan Forsgren, Enrico Targetti, and Jonas Wolcher, contributing to the film's unique visual style.

The film draws inspiration from Norse mythology, particularly the legend of Tors Vrede, giving it a unique character and connecting it to Sweden's cultural heritage. It explores themes such as military realism, supernatural threats, survival, and humanity's fear of the unknown. These themes create an exciting dynamic that makes the film both relatable and memorable.

In 2019 new "alien" scenes were shot for the movie and the English title changed to "Specimens" but it has never been released. Jonas Wolcher did the artwork for the DVD-cover.

Despite criticism for sound quality, editing, camera work, acting, and lack of realism, Sektor 236 has a dedicated fan base that appreciates its cinematic flaws and creativity. The film is praised for its exciting plot and delivers maximum genre satisfaction in the form of sci-fi, horror, and military action. It is proof that even low-budget films can have a significant impact and inspire future filmmakers.

Sektor 236 – Tors vrede is an important film in Swedish film history—one of the first of its kind. It demonstrates the potential within Swedish horror and sci-fi films and how passion for the genre, creativity, and the desire for something out of the ordinary can overcome financial challenges. If you want to explore Swedish genre films beyond the major commercial productions, Sektor 236 is a must-see film.

Sources: IMDb, Swedish Gore Film Society, From Sweden With Love

Swedish Gore Film Society Article: SEKTOR 236 – NY SVENSK SKRÄCK/SCI-FI

From Sweden With Love Article: Lars Lundgren – Stuntman and Stunt Coordinator 

Production Companies and Distributors

Dino Publishing JW

Karna Productions
MGB Agency
Svensk-Amerikanska Stuntskolan
Horse Creek Entertainment (Distributor)

Die Zombiejäger (2005) - Gritty, raw essence of the original version and spicing it up with some new scenes

Holding in my hand one of the 666 hand numbered copies of "the brick" DVD - Die Zombiejäger
- The Ultimate Face Rip Off Edition which contains tons of fun extras.

Posted by Jonas Wolcher on 28 Mar 2024

"As I told you before I don't want to reboot Die Zombiejäger completely but because the huge amount of filmed material and today's advanced possibilities we are now able to go back and see if there are better images for some of the scenes including never shown before. A reboot might damage the brand Die Zombiejäger because it was made by - and for the fans of zombies. Maybe a documentary about the movie would be more appropriate."

I would like to announce something to you

Two years and four days ago from today, I decided to revise the concept of Die Zombiejäger, keeping the gritty, raw essence of the original version and spicing it up with some 'new' scenes we had filmed but cut due to length.

The first version we showed was way longer than 94 minutes. I estimate that with the scenes that were shortened and cut out, it was nearly 105 minutes. It didn’t make the movie better—it just slowed it down instead.

If I were to go back, I’d want to add the scenes that were completely cut from the movie and later included in the extras of Die Zombiejäger: The Ultimate Face Rip-Off Edition, which was released on DVD in 2010.

The first version we showed was way much longer than 94 min. I estimate with those scenes that wore shortened and cut out it was nearly 105 min. It didn't make the movie better but it slowed it down instead. If I'm going back I want to add the scenes that were completely cut from the movie and were added in the extras of Die Zombiejäger The Ultimate Face Rip Off Edition which was released in 2010 on DVD, more than 15 years ago. 

I believe it's possible for a longer version to actually be screened on selected cinemas as a genre movie it is with an audience who loves this low below the waist humor, splatter, zombies and just-a-fun-flick-for-the-moment action comedy. Die Zombiejäger has a place in the Swedish horror film history and it's our duty to keep the audience what they want.

Synopsis
A trio of elite German commandos takes on the toughest assignment of their lives. What is turning the residents of Gothenburg, Sweden, into bloodthirsty zombies who have transformed the entire city into a scene of carnage?

5 Fun facts about the cult classic Die Zombiejäger (2005)

• Goon 1 has a mo-hawk in the first scenes, but in the later it has disappeared. The Zombiemaster emphasizes this by running his hand over the top of Goon 1's head in one scene.
  
  
• In the scene when Ivo is carried after being wounded, you can see the actor's cue card mirrored in his spectacles.
  
  
• When the zombie hunters are riding the cab the cameraman is reflected in Ivo's shades.
  
  
• A character in the film estimates the number of zombies are estimated to be 150. There are about 70 different zombies in the film.
  
  
• In the scene where the Zombiemaster is looking at his creation through a mirror, director Jonas Wolcher originally wanted to use an 80's "Snoopy"-mirror owned by Mathias Engman (Goon 2). However, on the day the scene was shot Mathias forgot to bring it.

Gothenburg Aveny July 6th 2003 – The first day of shooting.

Oh, I almost forgot. There is a Die Zombiejäger Drinking Game... Want to know more?

#diezombiejager #DieZombiejäger #reboot #sequelssucks

Alone, You’re Strong. Together? We’re Legendary

For nearly 30 years I’ve been battling, creating, and grinding in the world of genre cinema and independent film making. And here’s what I’ve learned: Along the way, I’ve met passionate, unstoppable creators—people who took the lessons from our collaborations, struck out on their own, and built something extraordinary. Some of their projects? Bigger, bolder, and more successful than anything I’ve done.

Do I see that as a defeat? Never.

I see it as fuel. Proof that when you ignite a flame, it doesn’t just burn—it spreads like wildfire ready to become a fertile soil again. And now, I’m here shout out: I’m not done yet.

Now, I’m calling in YOU. The ones who are hungry, relentless, and ready to make your mark. Because New Swedish Genre Cinema isn’t just about me—it’s about US. Together, we’re going to push boundaries, shatter expectations, and create something unstoppable.

I might succeed with my projects. But I won’t do it alone. I need warriors by my side—people who are ready to share contacts, swap skills, and lift each other up. Because here’s the truth: The next icon of genre cinema could be sitting right beside you. And this time? It might just be YOU.

So, what’s your move? Are you here to watch from the sidelines, or are you here to help build the future? This isn’t a solo mission. Genre cinema is a revolution—and revolutions start when we stand together.

Are you in?

I’ve been battling, creating, and grinding in the world of film for nearly 30 years. And here’s what's been learned along the way: 

I’ve met passionate, unstoppable creators—people who took the lessons from our collaborations, struck out on their own, and built something extraordinary. Some of their projects? Bigger, bolder, and more successful than anything I’ve done.

Do I see that as a failure? Not a chance!

I see it as proof—proof that the spark we ignited together didn’t fizzle out. It grew into a flame. And now, I’m here to say: I’m not done yet.

So, what’s your move? Are you here to just watch, or are you here to create? Let’s drop the illusion that this journey is meant to be solo. The best work happens when we stand together, share what we know, and push each other forward.

I might succeed with my film projects. But I won’t—and can’t—do it alone. I need you. The dreamers, the doers, the ones who are just as hungry, just as obsessed, and just as willing to chase their vision no matter what. In return? I’m opening up my network, my contacts, my hard-won lessons—everything. Because here’s the truth: The next big voice in New Swedish Genre Cinema could be sitting right beside YOU. And this time? That person might be ME.

Or—just maybe—it’s you.

My beloved Helen Brunestål, CEO of Ranrikestudios and me at the Elvis' Week in Floda

So—who’s ready to build something legendary?

Share your thoughts in the comments or drop an email.

Almost 15 Years of New Swedish Genre Cinema - What do YOU want to see next?

Hello, everyone!

It’s so wonderful to see that you’re still visiting my site. I always look forward to seeing which countries you’re all from! You are important.

As the creator of New Swedish Genre Cinema, I’ve spent the last 25 years pushing boundaries, embracing creativity, and celebrating the pure spirit of filmmaking, from my first project "Evil Zombie" (2000) to "The Beast Beneath Lake Bullaren" and "The Fear of Christine", which are still in production.

The blog Jonas Wolcher – The Swedish Cult Movie Maker and Filmgenrist has now been around for nearly 15 years. I started it back in 2012, and it has since had over 50,000 visitors. I created the blog simply because I wanted to write and share my thoughts—and it turns out there’s an audience that follows me. In this blog, I write about what I find interesting, along with updates on the film projects I’m currently working on.

New Swedish Genre Cinema is a movement all about our country’s new indie horror, cult classics, and bold new visions—whether it’s obscure VHS gems, underground projects, or the latest in DIY cinema. It’s genre films from the early 2000s up to today.

Now, I have a few questions for you:

• What would you like to see more of?

• Do you have any requests for topics I should write about?

• Is there a favorite post or thread you’d like me to expand on?

• What do you think of the films I share?

Leave your thoughts in the comments – I’ll read and respond to all of you!

Thank you for being my fans :)

For all you film quiz lovers who just can't get enough - check this out!

I want to know how many correct answers you got. Write in the comments.

Step into #filmgenrist #JonasWolchersVIDEOTEK Film Quiz

This isn’t just any quiz. It’s a handpicked journey through some of the most iconic, intense, and sometimes overlooked films from my personal archive—a collection built over years of digging through flea markets, attics, and forgotten corners. These are the movies that shaped my love for genre cinema, and now, I’m inviting you to test your knowledge and maybe even discover something new.

The quiz is quick—just two minutes—but it’s packed with questions that only true film lovers will appreciate. Whether you’re a fan of cult classics, hidden gems, or the stories behind the films, this is your chance to prove your expertise.

So, are you ready to dive in? Let’s see who can answer the questions and claim the title of ultimate genre film buff. Enjoy the challenge!

Do you have pure Wolcha energy?

In the world of independent filmmaking, where budgets are tight and resources are scarce, creativity isn’t just an asset—it’s a survival skill. 

Enter "to Wolcha", a term born from the guerrilla filmmaking tactics of Swedish director and producer Jonas Wolcher. Coined within indie film circles, "to Wolcha" describes the art of marketing, distributing, or creating buzz for a film (or any artistic project) with little to no budget, relying instead on ingenuity, personal connections, and unconventional methods.

It’s not just about cutting costs—it’s about turning limitations into strengths. Finding clever ways to use social media, crafting handmade posters, or networking at festivals with nothing but passion and a business card, Wolcha is the mindset that proves you don’t need Hollywood’s resources to make an impact. It’s a testament to the idea that true art thrives on heart, grit, and a refusal to accept "no" for an answer.

For Jonas Wolcher, Wolcha isn’t just a technique—it’s a philosophy. And in a world where indie filmmakers are constantly fighting for visibility, it’s a reminder that sometimes, the best tool you have is your own creativity.

1. "We had no PR budget, so we had to Wolcha the film!"

2. "He’s a master at Wolcha-ing—just like Jonas!"

3. "This film became a cult classic thanks to pure Wolcha energy."

 

"To Wolcha" (verb, film industry slang): To market, distribute, or generate buzz for a film (or other artistic project) with minimal or no budget, using creative, unconventional, and often deeply personal methods. The term originates from Jonas Wolcher’s work and has become a recognized expression within indie film circles to describe resourceful, passion-driven promotion.

HOW LONG CAN YOU SURVIVE BY EATING YOURSELF?

Repost from 2016

I just received this article on my Facebook feed. 

I decided to share it with you. The original article is in Norwegian.

Warning: It contains very strong material. 

To spice up the text, I’ve added some links about cannibalism with fictional images from my movie "CANNIBAL FOG", I made in 2014.

SPOILER ALERT! 

Cannibal Fog (2014) is a Swedish horror film that plunges into the taboo world of self-cannibalism and the consumption of "long pig" (human flesh). The story follows Michael, a man trapped in a monotonous life of excess, who discovers a disturbing new craving: human flesh. As he delves deeper into this macabre obsession, he is drawn into a clandestine society where cannibalism is ritualized, and the boundaries of morality dissolve into a psychological haze—the "Cannibal Fog."

The film explores themes of obsession, identity, and the extremes of human desire, blending body horror with surreal, experimental storytelling. It’s not just about the act of eating flesh, but the mental and emotional unraveling that follows. The "Cannibal Fog" itself is a metaphor for the loss of self and moral compass, as characters descend into a detached, almost hallucinatory state after consuming human meat.

With its raw, unpolished style and provocative subject matter, Cannibal Fog stands out as a daring and unsettling exploration of taboo, pushing audiences to confront the darkest corners of human nature and the blurred line between pleasure and horror.

This was just a side dish — let’s get back to the article written by Sedsel Brøndum Lange. Do you dare read any further? 

Published: January 25, 2016, 04:00 

Writer: Sedsel Brøndum Lange 

How long can you survive by eating yourself? 

Imagine that the only way to survive is to eat yourself. How long could you survive, and which body parts could you eat without dying? Jerk W. Langer, a doctor, lecturer, and teacher at the University of Copenhagen, has taken on the challenge of calculating an answer. Cynical Calculations It is possible to survive for about 40 days by living solely on the body’s reserves—completely without food. However, it might be possible to extend your life further by eating your own muscles, explains Langer. —According to cold, cynical calculations, you can actually survive for quite a long time, he says. The calculations are based on an 80-kilogram man.

Theoretically, he could eat his own legs and arms—or, if he is completely alone and must use one arm to eat and amputate his other limbs, his legs and one arm. You can’t, for obvious reasons, look up "human flesh" in a standard calorie table. Therefore, Langer has chosen to use the calorie count for pork shoulder with rind, which consists primarily of muscle and some fat and skin. This gives 85,900 calories in two arms and two legs, and 75,000 calories in one arm and two legs. —So, let’s look at how few calories you can survive on.

We’re dealing with a starving person who doesn’t move much. And during the experiment, he moves even less when his legs are gone. So, I assume he can survive on 1,000 calories a day. Of course, he will waste away and consume the rest of his body’s reserves, but we’re talking about pure survival, says Langer. With 1,000 calories a day, the calculations show that, on average, you could survive for 86 days by eating two arms and two legs, and 75 days by eating two legs and one arm. In addition, there are the 40 days you could survive without eating at all. Difficult in Practice However, a lot can go wrong if you are suddenly forced to amputate your own limbs. Langer assumes that, in this hypothetical experiment, you could amputate an arm or leg safely to avoid bleeding to death or getting infections.

Additionally, you must store the "food" properly so the meat doesn’t spoil. Many other factors could also come into play. —There may be other things that cause you to die earlier. You’d probably be quite stressed about eating yourself. You might also not be able to stomach it. And then there could be problems with wounds and infections and all sorts of things, so this is just theoretical survival, explains Langer. Arms and Legs Are Not Vital When eating yourself, it’s a bit of a balancing act to keep yourself alive. You have to eat enough to survive, but not so much that you die from it. 

So, theoretically, are there parts that are better to eat than others? —If you have a good layer of fat, you might be able to eat a bit of your stomach, but you can’t eat the internal organs. You can live without one kidney and 75 percent of your liver, but in practice, it wouldn’t be possible to remove the organs yourself, says Langer. For this reason, he focuses on arms and legs in his calculations, even though fat contains the most energy. —There isn’t much fat tissue on the arms and legs, but on the other hand, arms and legs are not vital. You can live without them, unlike the internal organs, says Langer.

Unethical Research There aren’t many people who have chosen to live off their own flesh and blood. However, there are examples of people who have eaten parts of themselves. Last year, several media outlets reported on a Norwegian artist who, after hip surgery, prepared and ate his own hip.

In 2002, it was big news that the German cannibal Armin Meiwes had consumed another man—who had voluntarily participated in preparing and eating his own penis before being completely slaughtered. When someone voluntarily eats parts of themselves, it’s called autosarcophagy or self-cannibalism. 

Although it’s a very rare practice, there are several scientific case studies on it. A classic example comes from the book Psychopathia Sexualis from 1886, which includes a study of a man who was believed to be sexually aroused by the idea of eating himself. He talked about cutting flesh from women he was attracted to instead of having sex with them, but he always ended up cutting off a piece of his own skin and eating it instead. There is no research on how the body reacts to being eaten by itself. Jerk W. Langer has an explanation for this. —It’s a field of research that would naturally be considered unethical. What happens mentally or physically in that situation is unknown, says Langer. © Videnskab.dk. Translated by Lars Nygaard for forskning.no.

Fact Box Calculation of how long you can survive by eating yourself

Assumption: Safe amputation. The meat is stored properly and kept cool. The calculations are based on an 80-kilogram man. Energy in pork shoulder with rind: 2,400 kcal/kg. It is assumed that a starving person with no physical activity can survive on 1,000 kcal/day, as the body also consumes its own reserves. 

Two legs and two arms weigh a total of 35.8 kg and contain 85,900 kcal. Eating two legs and two arms would allow you to live for almost 86 days. Two legs and one arm weigh 31.3 kg and contain 75,000 kcal. Eating two legs and one arm would allow you to live for about 75 days. 

If you want to know more, listen to their podcast: Links to how we became cannibals Can you get allergic shocks from eating flesh and more? Check out forskning.no Other links to self-eating: Armin Meiwes (lost tapes) Warning: strong content Dinner for one!

Back to the story of Cannibal Fog

When I did this horror movie Cannibal Fog (2014) the topic was about eating yourself and eating "long pig". The film clearly delves into one of the most taboo and unsettling themes in horror—the idea of self-cannibalism and "long pig" (a euphemism for human flesh). The scientific exploration of digesting oneself, while grotesque and ethically unimaginable, serves as a fascinating (if disturbing) thought experiment. It forces audiences to confront the extremes of survival, bodily autonomy, and the psychological horror of consuming one's own flesh. - Jonas Wolcher

Final words

This is not intended to be practical but it's about the science of digesting yourself. It's unethical and very gross.